Video Editing and Production Agency for US Brands
Brand films, product demos and social cutdowns — shot and edited by the same in-house team, with motion graphics and colour grading handled without a separate vendor.
What you actually get
Edits that come back in days, not weeks
Motion graphics and colour grading are handled in-house rather than farmed out to separate freelancers, which is usually where a US client's turnaround time disappears — waiting on a colourist who's juggling three other projects. Fewer vendors in the chain means fewer places for a deadline to slip.
Raw footage or remote-shot content, cut for US platforms and formats
Whether you're sending us footage from a shoot your team already ran, or we're producing content on location for you, edits are delivered cut for the platforms and aspect ratios a US audience actually watches on — vertical for Reels and TikTok, widescreen for YouTube and web, without a separate re-edit pass for each.
Review rounds that don't require a scheduled call
Feedback comes back as timestamped notes on a shared review link, not a call that has to happen inside a narrow overlap window. Given the real gap between US and India business hours, an async review process is faster in practice than trying to force a live call for every round of notes.
Sound and pacing built for how US audiences actually watch
Original or licensed audio matched to the edit, with pacing tuned for platform-specific attention spans — a 15-second Reel and a 90-second brand film aren't cut with the same rhythm, and treating them the same is a common reason US brand content underperforms on social.
How this actually works
How review and delivery actually work across the US timezone gap
Pune runs roughly 10.5 to 13.5 hours ahead of US time zones depending on Eastern versus Pacific and daylight saving — genuinely too wide a gap for frequent live calls to be practical. So the review process is built to not need them: you get a private link to review a cut, leave timestamped comments directly on the timeline, and we turn a revision around and have it back before your next working day starts.
For anything that does need a live conversation — an initial creative brief, a kickoff call to align on direction before the first cut — we schedule it inside the early-morning-for-you window that overlaps our studio hours (10:00–19:00 IST), roughly 7:30–9:30am Eastern.
We invoice in USD by international transfer or card, with a scoped cost per deliverable agreed before a shoot or edit starts. We're a Pune-based production team, not a US-based one — the timezone gap is real, and the async review workflow exists specifically to make that gap a non-issue for turnaround time.
Capabilities
- 4K delivery
- Motion graphics
- Colour grading
- Async timestamped review
- USD invoicing
Guide
What US Brands Actually Pay for Video Editing
Video Editing Pricing in the US: A Realistic Range
Video editing pricing in the US varies more by deliverable complexity than by runtime — a 30-second cutdown with heavy motion graphics can cost more than a straightforward 3-minute interview edit. Public pricing guides across the US market show basic single-cut editing running roughly $50 to $150 per finished minute, edits with motion graphics and colour grading at $150 to $400 per finished minute, and full-service brand film production — shoot plus edit — landing anywhere from $2,000 to $20,000+ per project depending on scope and crew size.
The two biggest cost drivers inside that range are how many platform-specific cutdowns a single shoot needs to produce (a brand film, a 15-second Reel and a 60-second YouTube pre-roll from the same footage is three edits, not one) and whether motion graphics and colour grading stay in-house or get farmed out to separate vendors, which is usually where both cost and turnaround time creep upward.
These are general US market figures aggregated from public pricing guides, not a Webcomp quote — every project here gets scoped against the actual footage, deliverable count and platform variants needed, with a fixed cost per deliverable agreed before work starts.
- Basic single-cut edit: $50–150 per finished minute — one platform, minimal graphics.
- Edit with motion graphics/colour grading: $150–400 per finished minute — multi-platform cutdowns, branded look.
- Full brand film production: $2,000–20,000+ per project — shoot plus edit, crew and location dependent.
FAQ
Questions before you get started.
No. Notes go on a private review link as timestamped comments against the actual timeline, which holds up better across the timezone gap than trying to line up a live call for each round. We do get on a call for the creative brief and for any real change in direction.
Yes — you don't need us on set for this. Ship us the raw files from your own shoot and we'll take it from there: editing, motion graphics, colour grading and cutdowns sized for whichever platforms you need.
That depends on how involved the edit is, but a straightforward cutdown usually comes back within days. Keeping motion graphics and colour grading in-house instead of routing them through separate vendors is what makes that possible.
Yes, invoiced in USD by international transfer or card, with the cost per deliverable scoped and agreed before a shoot or edit begins.
Both, depending on the project. Some US clients ship us existing footage for edit-only work; others want the full production handled, including on-location shooting where that's practical to schedule. We'll scope which one fits before quoting, rather than assuming.
No — we'll set up a transfer method that fits the file sizes involved, whether that's a shared cloud drive for a single interview or a proper large-file transfer service for a multi-camera shoot with hours of raw footage. Tell us the rough footage volume during scoping and we'll pick the right method upfront instead of discovering a transfer bottleneck mid-project.
Ready to start?
See the fuller service breakdown on our video production page.